Floor and wall
The largest surface in the house and the one people get wrong first. We keep the large formats standing upright so you can see a whole slab before you commit a whole floor to it.
Bring this Bring the room measurements and a photo of the light at midday.
Surfaces for floor and wall
Blue and amber onyx look Broken amber veining across a cold blue field. The most dramatic slab on the floor — one wall of it is usually enough. 
Storm blue and cream Cream crystal pushing into deep blue, with rust at the edges. A book-matched pair makes a single picture. 
Ivory with warm vein Almost white, with a few long caramel veins and nothing else. A large format that stays quiet across a whole floor. 
Deep blue onyx look Blue ground with white cloud breaks and thin dark fissures. Large format, so the pattern stays open. 
Clouded blue Soft blue with pale drift and a dry gold line. Calmer than the storm slab and easier over a whole floor. 
White onyx look Almost no pattern at all — just a slow shift of grey across a polished face. Floors that should disappear. 
Grey-vein white marble look The classic: bright white with grey branching, calm enough for a counter, a backsplash and the floor at once. 
Grey concrete look Flat grey with a fine aggregate speckle and no directional grain. The outdoor and sports-area answer. 
Pale oak plank look Long plank with an open, bleached grain. Porcelain, so it goes where a real board should not. 
Charcoal with gold vein Polished near-black with a single warm vein running the length of the slab. Reads as jewellery against pale cabinetry. See them standing, next to each other.
We are a showroom: the slabs are standing, whole, and can be moved around. Bring the measurements and we will work it out on the floor.